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One of the true wonders of
the world
 To
the Khmer people, Angkor Wat is more than just an ancient pile of
stones, it is more than just the remains of a highly advanced kingdom,
it is more than just a tourist attraction - to the Khmer it is a
symbol of hope.
For over five hundred years, from the coronation of
Jayavarman II in 802 AD, the Khmer Kingdom was the most significant
influence upon Southeast Asian development, expanding exponentially
at the expense of rival neighbours - Cham, Viet, Burmese and Siamese.
The first royal city of Angkor was built by Jayavarman's 10th-century
successor, Yasovarman I, and this saw the beginning of the empire's
golden age. It was not until the early twelfth century, and the
rule of Suryavarman II that the empire was to reach its peak, and
the construction of the magnificent 65-metre tall towers of Angkor
Wat was to take place.
 After
being driven out by the Cham in 1177, the Khmer returned to their
city with a new king - Jayavarman VII - a new religion - Mahayana
Buddhism - and even higher aspirations for the development of Angkor.
The Cham were routed, and Jayavarman VII began construction of the
9-square kilometre Angkor Thom and the 216 faces of the Bayon temple.
 By
the end of its predominance in the region, the Khmer empire had
constructed over 70 huge temple complexes at Angkor, spread across
200 square km. Why exactly the empire fell into its 200-year decline
is still somewhat of a mystery, however the cataclysm that was to
end it all came in 1431 when Siamese invaders ripped Angkor apart,
killing and enslaving much of the population, and stripping the
city of its wealth. The Khmer empire was never to recover, remaining
a vassal state of one or other overloard for over five hundred years.
Today, the national flag of Cambodia carries a symbol
representing the five giant towers of Angkor Wat. It is a symbol
of the Khmer's independence, reminding them of what can be achieved.
It is a symbol of hope.
Temples
 Angkor
Wat - Built to honor the Hindu god Vishnu, is the world's largest
religious building and took some 50,000 artisans, workers and slaves,
and nearly 40 years, to complete. The temple forms a rectangular
enclosure measuring 1,500 metres by 1,300 metres surrounded by a
moat 200 metres wide. The main entryway to Angkor Wat is a paved
avenue nearly half a kilometre long, ornamented with balustrades
and fringed by artificial lakes.
Inside the outer walls, the structure rises over three
levels to a central core topped by five almost pineapple-shaped
towers. Virtually every surface in the maze of chambers and courtyards
is richly decorated with low-relief scenes of legends, wars and
everyday life, enhanced by carvings of nearly 2,000 apsaras, or
celestial dancers. The amazing structure as a whole is best viewed
in soft light. Somerset Maugham wrote in 1930: "It needs the glow
of sunset or the white brilliance of the moon to give it a loveliness
that touches the heart."
 The
Bayon - At the centre of Angkor Thom (literally "Great City"),
which forms the heart of the Angkor complex as it is today. This
inner city is surrounded by a moat, and approached at the four cardinal
points via huge stone gates and causeways flanked by statues of
gods and giants. The Bayon forms a three-tiered pyramid with 54
towers, each dominated by over 200 huge, 4-metre high, mysterious
faces facing out to the north, south, east and west. Each mystically
serene countenance, with closed eyelids and faint smile, represents
a Bodhisattaya (fully enlightened being) who delays entry into Nirvana
to aid the spiritual development of others.
The structure is rich in decoration, detailing scenes
from battles, religious rituals, and everyday life. On approaching
from a distance, it resembles a rather formless initially disappointing
jumble of stone, but inside, the visitor discovers a maze of galleries,
towers and passageways on three different levels. Under the sightless
gaze of the ever-present faces, it is here, particularly if alone,
that many tourists experience a feeling of profound spiritual awe.
There are several other sites of interest within Angkor
Thom, including the Terrace of the Elephants and the Terrace of
the Leper King. At its height, the city had a population of nearly
one million, and its 9 square km area was comparable in size to
anything in Europe at that time.
Ta
Promh - If Angkor Wat and the city of Angkor Thom are best known
for grandeur and majesty, then to the east, the temple and monastery
of Ta Promh wins hands down for sheer dramatic effect. Unlike most
other monuments, Ta Promh has been left the way it was originally
found. The ancient structure is thus still gripped by massive strangler
fig and banyan tree roots ("spongs") giving the feeling of discovering
the archeological treasure for the first time.
Faced with this extraordinary image, it is easy to
relive the emotions of the French naturalist Henri Mouhot when he
came across it hidden in the jungle in 1860. At its peak, over 70,000
people, including high priests, monks, assistants, dancers and laborers,
populated this vast 600-room monastery. The structure measures 145
by 125 meters and contains a maze of courtyards and galleries, many
impassable because of the dense overgrowth of creepers and roots.
Prah
Kahn - Another temple that has been left to creeping jungle,
with huge trees and multi-colored lichen infiltrating the structure's
stone corridors and often gloomy interiors. Although it is not as
visually arresting as Ta Prohm, this fascinating temple is formed
in a cross by a long 200-metre central passageway cut by another
wide perpendicular corridor. Both of these have networks of smaller
passages, which themselves open to breezeways, courtyards, and rooms
of all sizes. Although the central portion is fairly clear, exploring
the outer passageways becomes increasingly adventurous with fallen
stones, surreal looking tree roots, and tiny apertures leading into
almost pitch dark interiors.
 Banteay
Srei - Approximately 25 kilometres from the main complex, this
relatively small 10th century monument in pink sandstone is dedicated
to Shiva. Its perfectly proportioned decoration and detail with
exquisite sculptures, lintels, and friezes, makes it one of the
oldest and most aesthetically beautiful. Almost every surface is
a masterpiece of superb detail, each one it seems, more beautiful
than the one before.
Phnom
Bakheng - Built on the highest hill in the area and offering
spectacular views, especially at dawn and sunset, this small but
attractive temple makes an ideal start or end to the day's sightseeing,
although most tourists congregate here toward dusk
East
Mebon Temple & The Baray Lakes - One of the Khmers' most notable
hydrological accomplishments were the West and East Barays, huge,
perfectly rectangular artificial lakes covering 14 and 16 square
km respectively, and used to irrigate thousands of acres of surrounding
farmland. A temple was built in the middle of each lake, and since
East Baray was drained, the East Mebon Temple is now easily visited.
West Baray (2 km wide & 8 km long) is still filled with water. The
boat service is accessible to the west Mebon Temple which is in
the middle of the west Baray. East Mebon, however, is a fascinating
site, best known for the almost life-size stone elephants on the
corners of its tiers. Since each one appears to have been hewn from
a single block of stone, the task of carving and transporting such
huge pieces must have been tremendous. Smaller stone figures flank
the stairways leading up to the central elevated platform. From
here, the bed of the lake, now fertile paddy, stretches below you
in every direction..
The
Ruluos Group - Lying approximately 10 km from Siem Riep town,
is a cluster of three 9th century temples, namely Prah Ko, Bakong
and Lolei. Being the oldest in Angkor, and ostensibly the site of
the capital at that time, they are interesting in their own right,
particularly Bakong, which is the best preserved of the three. Stairways
lined with stone lions lead up the five tiers of the pyramid shaped
structure, terminating in a sanctuary on top. Eight small sanctuaries
also encircle the base, an architectural concept common to many
other Angkor temples.
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